![]() These Liquid Pigments come in a squirty bottle rather than a jar, and are much more watery they are primarily designed for monotype printmaking, though they can also be applied to Japanese woodcuts with a brush. You can also use small amounts of Akua Liquid Pigments to tint the Intaglio Ink, which shouldn’t have an effect on its working properties. Any of the Intaglio colours can be mixed on the slab, and you can use Akua modifiers to alter the properties of the ink. If you are using Akua Intaglio for intaglio printmaking or for relief printing from woodcuts or linocuts, you should use it like this, straight from the pot. Nevertheless, it is sufficiently thick to hang in a long, spidery string if you dip your fingertip into it, and it is certainly stiff enough to roll well and to deliver a crisp print. It comes in a small pot and is a thick, buttery ink, though it isn’t quite as stiff as many oil-based letterpress inks, which are often described as having the consistency of a soft cheese. While Akua Intaglio ink was originally designed, as its name suggests, for intaglio methods, it is also suitable for many relief printing methods such as linocuts. Which Akua ink is right for my work, Akua Intaglio or Akua Liquid Pigment? We wanted to look into the properties of both inks, so we got them over to the office, carved ourselves a little square of lino, and started to print. Jackson’s are happy to announce that we now stock two ranges of Akua printmaking inks, Akua Intaglio and Akua Liquid Pigment, both of which are available in a wide selection of colours.
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